![oldmasters-banner](https://abbeymuseum.com.au/wp-content/uploads/2022/10/oldmasters-banner.png)
Help Fund Research into Significant Artworks
Understanding the history and provenance of our artefacts and in this case our artworks is an important and ongoing part of the Abbey Museum collection management. However, this is only possible with the support of many people.
The Abbey is seeking donations to support the extensive research of our Old Master painting collection.
To undertake the in-depth research required for each painting will cost $2250.
Please consider choosing a painting for which you will fund the research. You may wish to do this in one lump sum or as a weekly or monthly payment. There are 30 paintings in all to choose from.
Your generosity will be noted in the catalogue that will accompany the opening of the art gallery and on our website. You will also receive a complimentary copy of the catalogue.
If you are interested learning more or helping with this exciting project please contact the Abbey Museum.
All donations over $2 are tax deductible.
About the Collection
The Abbey Museum of Art and Archaeology is home to a significant collection of Old Master paintings, icons and 17- 18th century Royal Academy watercolours. They were acquired in England (ca.1928-34), and formed part of the Abbey Folk Park, Britain’s first social history museum.
For many years the Abbey Museum has been raising funds towards building a Gallery so these amazing works of art could go on display for the public.
The Queensland Art Gallery displayed them for 10 years in return for an extensive conservation program undertaken by one of Australia’s leading conservators, John Hook.
However, thanks to a generous infrastructure funding grant from the Queensland State Government our vision can now become a reality. Plans are now underway to build an Art Gallery and our major collection of European Renaissance and Baroque artworks are due to be on display for the public to enjoy by mid-2024.
Prior to the opening, it is important that a more precise provenance for these works of art is fully understood. We have commissioned Ms Julia Jackson, who has worked as a researcher with the National Gallery of Victoria International, to undertake this task. However, provenance research is a time consuming and costly process and we are seeking your help.
DISCLAIMER: While the works are ascribed to various artists and dates based on current knowledge, new research may result in new attributions different from those that have been funded.
Research with Julia Jackson
The Abbey Museum has engaged Ms Julia Jackson to conduct provenance research of the paintings in our Old Masters collection.
Julia come highly recommended; she has a Graduate Diploma in Art History from the University of Adelaide, a Master of Art Curatorship from the University of Melbourne and a Foundation Certificate in Art Law, from the Institute of Art & Law (IAL) in London. She worked as a cataloguer at the National Gallery of Victoria from 2009 – 2017.
Julia brings to this project a wide experience in provenance and object-based research across museums, galleries and community history collections.
The Mystic Marriage of Saint Katherine of Alexandria. Copy after a painting by Antonio Allegri, called Correggio (1489–1534)
W01995
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01995-Mystical-Marriage-of-St-Catherine-of-Alexandria-after-Correggio-obv-cc-MKS.jpg)
Italian.
Possibly Late 17th century. Oil on canvas
%
Funding Goal Pledged
Artwork Research Funded by: AVAILABLE
Madonna and Christ Child with the Infant Saint John the Baptist and St Anne. Copy after a painting by Antonio Allegri, called Correggio (1489–1534)
W01996
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01996-Madonna-Child-with-Elizabeth-John-the-Baptist-obv-cc-MKS.jpg)
Italian.
Posssibly Late 17th century. Oil on canvas
%
Funding Goal Pledged
Artwork Research Funded by: AVAILABLE
Crucifixion with St Teresa of Avila and John of the Cross attributed to Francisco Ribalta (1565-1628)
W01425
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01425-Crucifixion-by-Francisco-Ribalta-Spain-obv-cc-MKS.jpg)
Spanish Baroque.
Oil on canvas
%
Funding Goal $2250
Artwork Research Funded by: AVAILABLE
Madonna at prayer by Giovanni Battista Salvi da Sassoferrato (1609-1685)
W01417
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01417-Madonna-in-gilt-frame-after-Sassoferrato-Italy-obv-cc-MKS.jpg)
Italian
17th Century. Oil on panel
%
Funding Goal Met
Artwork Research Funded by:
Anne Vickers
St Teresa of Avila
W01423
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01423-St-Therese-of-Avila-Spanish-obv-cc-LMMKS.jpg)
Artist unknown, probably Spanish
17th century. Oils on copper
%
Funding Goal $2250
Artwork Research Funded by: AVAILABLE
Virgin Mary and Child
W01411
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01411-Virgin-and-Child-Ludovico-Mazzulini-obv-cc-SMMKS.jpg)
Ferrara, Italy
Reputedly by Ludovico Mazzulino (1480 – c. 1528)
Oil on panel
%
Funding Goal Met
Artwork Research Funded by: Abbey Museum Friends and Patrick Hicks
The Mater Dolorosa. Copy after a painting by Carlo Dolci
W01992
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01992-Mater-Dolorosa-after-Carlo-Dolchi-obv-cc-MKS.jpg)
Italian.
Probably 18th century. Oil on panel
%
Funding Goal Met
Artwork Research Funded by:
![Turnstone Logo_Stacked_CMYK](https://abbeymuseum.com.au/wp-content/uploads/2024/07/Turnstone-Logo_Stacked_CMYK.png)
Allegory of the Birth of John the Baptist attributed to Jusepe de Ribera (1591-1652)
W01424
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01424-Birth-of-John-the-Baptist-by-José-de-Ribera-Spain-obv-cc-MKS.jpg)
To be identified
%
Funding Goal Met
Artwork Research Funded by:
Simon & Maria Durrant
Lady Agnes Percy
W01990
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01990-Lady-Agnes-Percy-England-obv-cc-MKS.jpg)
English
18th century. Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Greg and Robin Czechura
Head of St John the Divine
Q03915
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/Q03915-Head-of-St-John-the-Apostle-obv-cc-LMMKS.jpg)
Swedish
%
Funding Goal Met
Artwork Research Funded by:
Marta Botta
Last Supper (Aumbrey door)
W01414
![W01414 Last Supper (Aumbrey door)](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01414-Last-Supper-Aumbrey-door.jpg)
Unknown artist in the style of El Greco
Probably 16th century. Oil on wood panel.
%
Funding Goal Met
Artwork Research Funded by:
Abbey Museum Friends
St Clare
W01421
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01421-St-Clare-obv-cc-MKS.jpg)
Artist unknown, probably Spanish or Italian
Probably 17th century. Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Antonia Simpson
Winged Triptych of Crucifixion with Virgin Mary, Mary Magdalene and St John and Donors
W01407
![01407 W Crucifixion with Mary, Mary Magdalene & St John, obv cc MKS](https://abbeymuseum.com.au/wp-content/uploads/2022/10/01407-W-Crucifixion-with-Mary-Mary-Magdalene-St-John-obv-cc-MKS.jpg)
Flemish, 16th cent
Oils on panel
%
Funding Goal Met
Artwork Research Funded by:
Anne Vickers
Mystical Marriage of St Katherine of Alexandria
W01096
![W01096 Mystical Marriage of St Katherine of Alexandria](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01096-Mystical-Marriage-of-St-Katherine-of-Alexandria.jpg)
Italian Renaissance
Possibly 14th century. Oil on wood panel
%
Funding Goal Met
Artwork Research Funded by:
Libby and Keith Gladwin
Guardian Angel with child and devil
Q01418
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/Q01418-Guardian-Angel-with-child-and-devil-After-Poussin-obv-cc-MKS.jpg)
French
Possibly Nicholas Poussin (1594 –1665)
Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Anne Vickers
Ascension of Christ
W01410
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/01410-W-Ascension-of-Christ-obv-cc-SMMKS.jpg)
Artist unknown: Possibly Italian School
Oil on panel
%
Funding Goal Met
Artwork Research Funded by:
General Donations
The Bridgewater Madonna. Copy after a painting by Raffaelo Sanzio (1483-1520)
W01994
![W01994 The Bridgewater Madonna. Copy after a painting by Raffaelo Sanzio (1483-1520)](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01994-The-Bridgewater-Madonna.-Copy-after-a-painting-by-Raffaelo-Sanzio-1483-1520.jpg)
17th century copy
Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Paul and Vicki Garcia
St Cecilia flanked by angels
W01419
![W01419 St Cecilia flanked by angels](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01419-St-Cecilia-flanked-by-angels.jpg)
Italian School: Late 16th century
Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Fran and Fr Paul Strong
Gargoyle by Peter Paul Rubens
W00000
![Gargoyle by Peter Paul Rubens](https://abbeymuseum.com.au/wp-content/uploads/2022/10/Gargoyle-by-Peter-Paul-Rubens.png)
Flemish
ca. late 16th to early 17th century: Chalk on paper
%
Funding Goal Met
Artwork Research Funded by:
Abbey Museum Friends
Adoration of the Shepherds after Gerhardt van Honthorst (1592–1656)
W00000
![Adoration of the Shepherds after Gerhardt van Honthorst (1592–1656)](https://abbeymuseum.com.au/wp-content/uploads/2022/10/Adoration-of-the-Shepherds-after-Gerhardt-van-Honthorst-1592–1656.jpg)
Netherlandish
c 1622. Oil on panel
%
Funding Goal Met
Artwork Research Funded by:
The Abbey Community
Madonna and Child
W01492
![W01492 madonna and child](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01492-madonna-and-child.png)
ca.1520 AD.
Possibly North Italy (Tyrol). Oil on panel in a tabernacle frame
%
Funding Goal Met
Artwork Research Funded by:
Bribie Island Historical Society
Ecce Homo
W01413
![Ecce Homo](https://abbeymuseum.com.au/wp-content/uploads/2022/10/Ecce-Homo.jpg)
Attributed by Ward to Annabelle Carracci, but probably by Bartolomé Esteban Murillo (1617-1682)
17th century. Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Ann Baillie and Steve Stockwell
Madonna and Child attributed to Carlo Marrata (1625 –1713)
W01993
![W01993 Madonna and Child attributed to Carlo Marrata (1625 –1713)](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01993-Madonna-and-Child-attributed-to-Carlo-Marrata-1625-–1713.jpg)
Italy.
Late 17th-18th century. Oil on canvas
%
Funding Goal Met
Artwork Research funded by:
Fr Paul and Sr Cecilia
Pieta
W01409
![W01409 Pieta](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01409-Pieta.png)
Italy, style of Tintoretto.
Possibly mid-15th century. Oil on panel
%
Funding Goal Met
Artwork Research Funded by:
Michael Strong and Edith Cuffe
Wedding Feast of Cana
W01415
![W01415 Wedding Feast of Cana](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01415-Wedding-Feast-of-Cana.jpg)
Possibly Italian.
Late 16th century. Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Abbey Museum Friends
Angel with Lily
W01416
![W01416 Angel with Lily](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01416-Angel-with-Lily.jpg)
Probably Italy
16th to 17th century
%
Funding Goal Met
Artwork Research Funded by:
Rosalie Gilbert
St Roche’s dog
W01033
![W01033 St Roche’s dog](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01033-St-Roches-dog.jpg)
Reputedly from Milan, Italy
ca. early 14th century AD
%
Funding Goal Met
Artwork Research Funded by:
Barry Clark
St Peter in Prison
W01406
![W01406 St Peter in Prison](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01406-St-Peter-in-Prison.jpg)
Perhaps Italy or Flanders
Probably 16th century. Paint on wood panel
%
Funding Goal Met
Artwork Research Funded by:
Elizabeth Gladwin and Shallan Day
Desposition from the Cross
W01408
![W01408 Deposition from the Cross](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01408-Deposition-from-the-Cross.jpg)
Possibly Venetian School
ca. 17th century. Oil on copper
%
Funding Goal Met
Artwork Research Funded by:
Anne Vickers
Crucifixion. Attributed to Pierre Paul Prud’hon (1758 –1823)
W01422
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01422-Crucifixion-Pierre-Paul-Prudhon-France-obv-cc-MKS.jpg)
French.
Oil on canvas
%
Funding Goal Met
Artwork Research Funded by:
Greg & Robin Czechura
Man in Blue, attributed to Sir Thomas Lawrence (1769-1830)
W01991
![OLYMPUS DIGITAL CAMERA](https://abbeymuseum.com.au/wp-content/uploads/2022/10/W01991-Man-in-Blue-attrib-to-Thomas-Lawrence-England-obv-cc-MKS.jpg)
English
Late 18th – early 19th century. Oil on canvas
%
Funding Goal Met
Artwork Research Pledged by:
Gregory and Robin Czechura
If you are unable to fund an entire painting above but would still like to make a partial contribution please click the link below. The Museum appreciates and greatly values any contribution made towards our goal.
*Acknowledgements will only be made where an individual / group / organisation has fully funded the artwork.